One of the luxuries that
writer-director Krish enjoyed while making NTR Kathanayakudu was the freedom to
stretch it as much as possible, since the biopic has been split into two parts.
It is a luxury that he enjoys and ensures that his audience enjoys as well, albeit
only to a certain extent. While Mahanati,
based on actress Savitri’s life, was a crisper take on her life journey, NTR
Kathanayakudu is a more exhaustive revisiting to the life and times of
Nandamuri Tarakarama Rao, popularly known as NTR.
The movie traces the journey of a
young Rama Rao (played by Balakrishna), a newly appointed sub-registrar in
Bezawada, married to Basavatarakam (played by Vidya Balan) and father to a baby
boy. The portions before the interval traverses through his struggles in the
industry and how he turns it into his stronghold. This is where a whole lot of actors
make cameos as film personalities of the yesteryears. Much like Mahanati, his initial struggle and commitment
towards his work is shown well. But unlike Mahanati, the drama is not subtle
and tends to become melodramatic, like the monologue on Andhra being different from
Madras or the sequence around a death in his family. Also, the actors reprising
yesteryear’s filmstars neither resemble the stars much nor try emulating them,
which reduces the novelty. These are still minor aberrations and can be
overlooked.
It is post the interval, where
the movie changes its gears and starts to add the flavors of public service and
politics. It is evident that the makers have the upcoming elections on mind and
hence, the benevolent and public friendly side of NTR is carefully highlighted.
The legends and cults about NTR and his charisma are in full display, with
special emphasis given to his illustrious mythological characters. Balakrishna
has certainly worked hard to appear uncannily similar to his father and the
prosthetics and VFX have also helped to a great extent. He also delivers powerful
dialogues well, much like his father. But he lacks the expressive and handsome
face that his father had in his youth. You cannot blame him much, since his age
shows on the screen. While NTR’s iconic Lord Krishna character was mounted with
equal grandeur, Balakrishna looked slightly old. The most uncomfortable
reprisal was Balakrishna playing Bruhanalla from Nartansala – a transgender character immortalized beautifully by
his father. Unlike Keerthy Suresh who transformed herself in the Maya Bazaar
portions in Mahanati, Balakrishna
falls short of being as expressive as his father was in Nartanasala.
The music by M.M Keeravani adds
the right amount of grandeur to the aura of NTR. This is one of the most restrained
and measured performances by Balakrishna, who seemed more believable as NTR in
the second half during the later years of NTR’s life. Vidya Balan plays a warm
and supportive wife but gets a smaller part in the scheme of things. The rest
of the cast is also fine in their parts. I wish Jr. NTR had played NTR in the
younger days, just as I wish Naga Chaitanya would have looked better as the
younger ANR. Having said that, both Balakrishna and Sumanth looked their part
in the second half, when the movie traces the life of NTR in his 60s. Another wish
I had was for the length to be shorter. Many sequences, such as the one with
Relangi (played by Brahmanandam) or the unnecessary sermon to Savitri (played
by Nithya Menen), could have been done away with to reduce the length.
In the end, NTR Kathanayakudu
left me content but not completely happy. It has its flaws and has an evident
underlying agenda overshadowing other aspects of NTR’s life. Yet, it makes for
an engaging watch. The political side in NTR
Mahanayakudu and its counter-attack in the form of YSR biopic, Yatra, will clash next month and it will
be interesting to see who comes out as the messiahs of the masses. Till then,
NTR Kathanayakudu taking us through the acting career of NTR, certainly makes
for a decent watch.
My Rating – 3/5
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