In the opening sequence of this
week’s release, Mulk, a regular Muslim household in Varanasi is shown to be
celebrating its patriarch, Murad Ali Mohammad’s (played by Rishi Kapoor)
birthday. We see their ‘Shudh Shakahari’
neighbor, Chaubeyji, secretly relishing the kebabs, while his staunch
vegetarian wife does not even touch the food in a Muslim household. She tells
another lady, ‘Naach gaane tak toh theek
hai, par innke yaha khana nahi kha sakte’. This sequence shows what exactly
director Anubhav Sinha has in store for his audience and he uses his strong leads,
Rishi Kapoor and Taapsee Pannu, to throw some light on the co-existing communal
harmony and discord in our country.
Murad Ali Mohammad is a retired lawyer, who
lives with his wife and brother’s family in Varanasi. Their peaceful lives are
shattered when Murad’s younger brother, Bilal Mohammad (played by Manoj Pahwa),
is taken into custody, owing to his deceased son, Shahid Mohammad’s (played by Prateik
Babbar) involvement in a terror attack. Murad’s elder daughter-in-law, Aarti
(played by Taapse Pannu), steps in as their lawyer to fight for the family and
to prove that one traitor in the family, does not render them equally guilty.
Anubhav Sinha, through his gritty and border-line melodramatic script, takes us
through the excruciating humiliation and accusations of treason that a family goes
through, when their son fails them and their country. The movie also throws a
light on how politics and religion are intertwined in our country, where media
and internet are used as a medium to only spread false propaganda. Whether the family
succeeds in getting the charges cleared or not can be easily predicted, but the
narrative does so by not favoring or criticizing any one community.
Like another gritty courtroom
drama, Pink, Mulk works majorly for
its dialogues. And just like Pink, I felt the courtroom arguments in Mulk were
not convincing enough, but were more emotional and as I mentioned earlier – borderline
melodramatic. Also, there are a lot of evidences and arguments against the
family, but the movie seems to give its defense lawyer, Aarti, all the right
moves which seem unconvincing to a certain extent. But, these inconsistencies
can be overlooked owing to the message that this movie aims to spread. In today’s
communally delicate times when a person’s patriotism is questioned based on his
religion, Mulk hits the right notes. The movie does not take sides, but succeeds
in conveying how impressionable young minds are polluted by the political and
religious discourse in our country. One of the best dialogues in the movie is –
‘Terrorism is a criminal act, not a communal act’.
In terms of the craft and
technicalities, Rishi Kapoor and Taapsee Pannu have strong characters and both
play their parts seemingly well. Nina Gupta, Manoj Pahwa and Prateik Babbar
provide ample support. They show the helplessness of an embarrassed outcast
family and the courage of a righteous family fighting for their lost reputation.
The camerawork by Ewan Mulligan is quite
natural and real. Anubhav Sinha has not had a decently reputable movie before and
Mulk seems like his best work till date. A special mention of the dialogue writer
(I could not find the name of the dialogue writer), for those thought-provoking
dialogues.
Mulk, will make you uncomfortable
at times and uneasy with the injustice, especially in the first half. The
second half is where it gets slightly problematic with the unconvincing courtroom
arguments. None the less, it has a very pertinent message with no over-the-top
preaching. The judge, played by Kumud Sharma, says in his closing statement - ‘Agar
koi samaaj mein acche aur boore ka bhedhaav karein, toh ghar pe calendar mein
dekh lena election ke liye kitne din bache hai’ – perfectly summing up the fool
our country is made, in the guise of ‘Dharm’
and ‘Desh-Bhakti’. In spite of its
problems, Mulk definitely deserves a watch!
My Rating 3.5/5
P.S: It is so good to see Sunidhi
Chauhan singing songs for many movies lately. This movie also has a number by
her!
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